[sudo-discuss] Accessibility Liaison?
Robert Benson
sf99er at gmail.com
Tue Apr 21 13:40:34 PDT 2015
from my perspective the greatest challenges that we face on this issue are
organic in nature. keeping lids on compost, regular disinfecting & improved
ventilation might be a good 1st step.
i'll bleach the trash room after the trash goes out pm
On Tue, Apr 21, 2015 at 10:52 AM, <sudo-discuss-request at lists.sudoroom.org>
wrote:
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> Today's Topics:
>
> 1. Event: Cartoonist Conspiracy Evening at SudoRoom Thursday
> Nights (Romy Ilano)
> 2. Fwd: Event: Cartoonist Conspiracy Evening at SudoRoom
> Thursday Nights (Romy Ilano)
> 3. Is anyone blogging their hack projects? (Romy Ilano)
> 4. The harry potter room in sudo is now locked (Marc Juul)
> 5. San Francisco Music Venue Struggles to Stay Open as Rents
> Rise (Romy at snowyla)
> 6. ParaView - simplify MRI 3D models (Romy at snowyla)
> 7. Re: The harry potter room in sudo is now locked (Ryan)
> 8. Re: The harry potter room in sudo is now locked
> (Patrik D'haeseleer)
> 9. Re: The harry potter room in sudo is now locked (Ryan)
> 10. Accessibility Liaison? (niki)
> 11. Re: [omni-discuss] Accessibility Liaison? (Ryan)
> 12. Re: [omni-building] [omni-discuss] Accessibility Liaison?
> (Laura Turiano)
> 13. Re: [omni-building] [omni-discuss] Accessibility Liaison? (Ryan)
> 14. Re: [omni-building] [omni-discuss] Accessibility Liaison? (niki)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Sat, 18 Apr 2015 16:48:50 -0700
> From: Romy Ilano <romy at snowyla.com>
> To: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: [sudo-discuss] Event: Cartoonist Conspiracy Evening at
> SudoRoom Thursday Nights
> Message-ID:
> <CAFqWQB-FDf+f32MP7beObSGmUTOBJ5DQRKb3QPPh=
> 2vuwrSzeQ at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
>
> https://www.facebook.com/pages/Cartoonist-Conspiracy-SF/84395061271?ref=aymt_homepage_panel
>
> Hi, I used to be in a cool group called the Cartoonist Conspiracy SF.
>
> It dissolved, but it was a group of super Nerdy and talented cartoonists.
> We did a lot of comic book jams at the Church Coffee shop as well as the
> Cartoon museum and Rock Paper Scissors Collective.
>
> *I'd like to have an informal cartoonist jam that runs alongside the
> Counter Culture Labs and Sudoroom thursday night.*
>
> I'm putting it in the calendar and if anyone objects I'll take it down.
>
> I'm keeping it super short, but the idea is that before I or any other
> cartoonist leaves the space we have at least one cool cartoon related to
> the:
>
> - hardware hacking
> - mushroom / fungus growing
> - artificial cheese creating
> - 3d printing
> - yoga dancing
> - naked autonomous activist poetry reading
> - graffiti techno bear woodshed making
> - etc.
>
> that goes on at SudoRoom.
>
> Much love! I'm going to tell the Cartoonist Conspiracy this too.
>
>
> =============================
>
> Romy Ilano
> romy at snowyla.com
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> Message: 2
> Date: Sat, 18 Apr 2015 17:12:45 -0700
> From: Romy Ilano <romy at snowyla.com>
> To: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: [sudo-discuss] Fwd: Event: Cartoonist Conspiracy Evening at
> SudoRoom Thursday Nights
> Message-ID:
> <
> CAFqWQB9wg9TLYBv+MKiqOGNfEAOOMUAwCmkfWwYh+xvAEWo1cg at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> the crazy cartoonist event is this Thursday
>
> https://sudoroom.org/events/cartoonist-conspiracy-vs-the-crazy-hackers/
>
>
>
> =============================
>
> Romy Ilano
> romy at snowyla.com
>
>
>
> ---------- Forwarded message ----------
> From: Romy Ilano <romy at snowyla.com>
> Date: Sat, Apr 18, 2015 at 4:48 PM
> Subject: Event: Cartoonist Conspiracy Evening at SudoRoom Thursday Nights
> To: sudo-discuss <sudo-discuss at lists.sudoroom.org>
>
>
>
> https://www.facebook.com/pages/Cartoonist-Conspiracy-SF/84395061271?ref=aymt_homepage_panel
>
> Hi, I used to be in a cool group called the Cartoonist Conspiracy SF.
>
> It dissolved, but it was a group of super Nerdy and talented cartoonists.
> We did a lot of comic book jams at the Church Coffee shop as well as the
> Cartoon museum and Rock Paper Scissors Collective.
>
> *I'd like to have an informal cartoonist jam that runs alongside the
> Counter Culture Labs and Sudoroom thursday night.*
>
> I'm putting it in the calendar and if anyone objects I'll take it down.
>
> I'm keeping it super short, but the idea is that before I or any other
> cartoonist leaves the space we have at least one cool cartoon related to
> the:
>
> - hardware hacking
> - mushroom / fungus growing
> - artificial cheese creating
> - 3d printing
> - yoga dancing
> - naked autonomous activist poetry reading
> - graffiti techno bear woodshed making
> - etc.
>
> that goes on at SudoRoom.
>
> Much love! I'm going to tell the Cartoonist Conspiracy this too.
>
>
> =============================
>
> Romy Ilano
> romy at snowyla.com
> -------------- next part --------------
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> ------------------------------
>
> Message: 3
> Date: Sat, 18 Apr 2015 17:36:45 -0700
> From: Romy Ilano <romy at snowyla.com>
> To: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: [sudo-discuss] Is anyone blogging their hack projects?
> Message-ID:
> <
> CAFqWQB83ocZ7riZs3suXa7aOuHjqYZrvzAV7Ls5EPPm2Lq2xSA at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> I started a new blog today > It's empty but I'd like to monitor my progress
> at SudoRoom
>
> http://www.snowyla.com/hackBlog/
>
> Probably going to fill it up with these two:
>
>
> - https://sudoroom.org/wiki/MRI_3D_Printing
> - https://sudoroom.org/wiki/UnderstandingTools
>
>
> The SudoRoom site and blog is looking a little bare lately... I love the
> wiki but this will hopefully help build up momentum for the 3D printing MRI
> stuff. <3
>
> *In the long term I'm going to try to graduate from these expensive ready
> made maker kits in arduino that are springing up everywhere.*
>
> They are cool but since we are at a hackrrspace it's better to learn how
> to hack without having to spend a ton of money on fancy stuff!
>
>
> - My focus is on hacking for adults.
> *Children are cool but they have enough people helping them out *
>
>
>
>
> =============================
>
> Romy Ilano
> romy at snowyla.com
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> ------------------------------
>
> Message: 4
> Date: Sat, 18 Apr 2015 19:07:55 -0700
> From: Marc Juul <juul at labitat.dk>
> To: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: [sudo-discuss] The harry potter room in sudo is now locked
> Message-ID:
> <CAL4ejvSvg_otGC=
> TVuDiWg3qa+XDREZdvv2FwqijxRgU-OhCtQ at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> The combination is: 29-8-14
>
> --
> marc/juul
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> ------------------------------
>
> Message: 5
> Date: Sat, 18 Apr 2015 23:02:20 -0700
> From: "Romy at snowyla" <romy at snowyla.com>
> To: Sudo Room Discussion List <sudo-discuss at lists.sudoroom.org>
> Subject: [sudo-discuss] San Francisco Music Venue Struggles to Stay
> Open as Rents Rise
> Message-ID: <9AD54824-FADB-48F1-AD52-1C7A043188C0 at snowyla.com>
> Content-Type: text/plain; charset="us-ascii"
>
> This is too bad! I always wondered why submission
> Couldn't cross pollinate more with Noisebridge next door
>
> I guess Sudoroom is lucky to be in the Omni now
> With all the other collectives!
>
>
> http://www.truth-out.org/news/item/30216-san-francisco-music-venue-struggles-to-stay-open-as-rents-rise
>
> San Francisco Music Venue Struggles to Stay Open as Rents Rise
>
> Sub Mission in San Francisco. (Photo: Julie Blaustein/Flickr)
>
> This story could not have been published without the support of readers
> like you. Click here to make a tax-deductible donation to Truthout and fund
> more stories like it!
>
> Tucked at the corner of 18th and Mission Streets in San Francisco's
> Mission District - one of the neighborhoods hit hardest by gentrification -
> lies an independent art and music gallery called Sub Mission. Like many art
> and music venues in San Francisco, Sub Mission has taken a blow at the
> hands of the city's latest wave of gentrification - a blow so hard that the
> gallery might close down. Its plight exemplifies the drastic cultural
> changes sweeping San Francisco, and the heavy toll that gentrification
> takes on arts scenes.
>
> Sub Mission has been around for 12 years. It started as an art gallery on
> Mission and 24th Streets, but soon began to incorporate music into the
> space since some of the artists had friends who were in bands. Eventually,
> Sub Mission became more of a music venue. Nine years ago, Sub Mission moved
> to its current location at the building on 18th and Mission, which provides
> a bigger space for music shows. These days, Sub Mission mostly offers live
> music, including hardcore punk and metal concerts, but it also has art
> shows. It emphasizes booking up-and-coming bands, providing an opportunity
> for emerging musicians to showcase their work in front of an audience. On
> its second floor, Sub Mission houses art studios, which are not open to the
> public.
>
> Now the venue is having trouble staying afloat. Its lease is up, meaning
> rent will increase, according to Txutxo (pronounced "Chucho"), a visual
> artist who handles Sub Mission's bookings. On top of that, "We have a
> problem with the city that's asking us to do some improvements in the
> building," Txutxo told Truthout. Among those improvements are building an
> elevator for the second floor, and adding sprinklers and an additional
> exit. Currently, there is only one door at the front of Sub Mission for
> entry and exit. Some of their music shows, such as one with Boston
> Strangler last February, draw large crowds, so having only one exit poses a
> safety problem. Sub Mission hired an architect to draw construction plans
> for adding necessary improvements to the building. The plans are mostly
> done but the city has yet to give Sub Mission a permit to do construction.
>
> "With all the new restaurants, and techies and new businesses going up,
> the value of the place goes up. So rent is increasing."
>
> In addition to waiting for the city to grant a construction permit, Sub
> Mission is being hurt by high rents. "This area, with all the new
> restaurants, and techies and new businesses going up, the value of the
> place goes up. So rent is increasing," Txutxo said. Sub Mission's rent has
> increased 10 percent every year, hovering in the $9,000 to $10,000 per
> month range for the past few years. Now that the lease is up, Sub Mission
> will have to pay an extra $3,000 per month - totaling more than $13,000 per
> month - until it finds a new lease. With the lease expired, the new rent
> conforms to the current value of property, which keeps going up as the area
> gentrifies. The landlord - with whom Sub Mission's owners have a good
> relationship - offered another lease but as long as everything in the
> building is up to code and all necessary improvements are made.
>
> In order to do the necessary construction, Sub Mission would have to close
> down temporarily. That would mean less income coming in even as their rent
> - along with property values in the area - increases. However, as a small
> business without a large budget, this makes it hard for Sub Mission to stay
> afloat. "Because we are a small business - and not even a business that
> makes a lot of profit - we don't have the budget," Txutxo said. With the
> city taking a long time to grant the permit, "you're never going to know if
> your money is going to be spent on rent, on trying to survive, and waiting
> for the permits," he added.
>
> City delays and rising rents caused by gentrification are squeezing the
> small budget of Sub Mission. As Txutxo put it, "Everything's coming at
> once."
>
> The venue can probably make it until the end of May - but after that, it
> will be hard to stay afloat. Unless Sub Mission receives its construction
> permit, this cultural institution may have to shut down.
>
> Sub Mission is also a Latino-owned and operated gallery. They have also
> hosted many Latino and Filipino rock bands from the San Francisco Bay Area.
> The venue's closing would contribute to the ongoing displacement of Latinos
> from the historically Mexican and Central American Mission District. A
> study conducted by the Council of Community Housing Organizations and the
> Mission Economic Development Agency found that 8,000 Latinos have left the
> Mission District in the past decade. In 2000, Latinos comprised half of the
> Mission's population. Today, they are less than 40 percent of the
> neighborhood's population and, should this trend continue, their numbers
> could drop to a third.
>
> The Farm
>
> Sub Mission's struggle is reminiscent of another art center that was also
> in the Mission District - The Farm. Its story is told in a documentary
> called Farmcore. The Farm was started in 1974 by Jack Wickert and Bonnie
> Shirk as an art and community center, which thrived as a place for
> multicultural activities. It housed a two-acre community garden, a barnyard
> with animals, an art gallery, a large performing arts space and a
> children's preschool.
>
> However, beginning in the mid-1980s, it struggled to stay open because its
> landlord, Marilyn Goode, continuously increased rent and refused to sign
> long-term leases or sell the property. Around the same time, San
> Francisco's punk scene was dealt a major blow when the last big venue to
> hold all-age shows - On Broadway - closed down.
>
> Rising rents and gentrification bring in new, wealthier residents to areas
> that traditionally host live music.
>
> In need of revenue, The Farm began hosting punk rock shows beginning in
> the summer of 1984. Several well-known punk bands performed at The Farm,
> including Dead Kennedys, Bad Brains, Black Flag, MDC, DRI, Circle Jerks and
> Butthole Surfers. It soon became the biggest venue for punk shows in San
> Francisco during the mid-1980s and a vital part of the punk scene that
> developed in the San Francisco Bay Area. Along with New York City, the Bay
> Area was a breeding ground for the punk subculture.
>
> Aside from being a genre of rock that emphasizes minimalistic
> instrumentals and short, energetic, fast-paced songs, punk is an
> anti-establishment subculture. Punks typically embrace radical left,
> particularly anarchist, politics and a do-it-yourself ethic in their
> lyrics, lifestyle and even activism. Rather than go through record labels,
> many punk bands will self-produce records and distribute them independently
> or through alternative channels.
>
> But in 1987, The Farm was forced to close down once the landlord evicted
> the venue. Its closure dealt a blow to the Bay Area's punk community.
>
> Local and Nationwide Cultural Changes
>
> The story of artists and musicians being displaced from cities is not a
> new one nor is it limited to San Francisco. Sub Mission's struggle is just
> one example of how rising rents and gentrification are hurting the city's
> arts and culture scene. Other artists and creatives are being hurt with
> high rents and evictions. One artist commune in San Francisco's Mid-Market
> area was recently slapped with an eviction notice by its landlord Jennifer
> Chen. Like the Mission, Mid-Market is also heavily gentrifying. On top of
> that, several tech companies, such as Twitter and Spotify, have their
> offices there. In 2011, the City of San Francisco granted tech companies
> tax breaks in exchange for locating their offices in the city. This has
> accelerated gentrification and displacement of lower-income residents in
> the area.
>
> As of March, median rent in San Francisco for a one-bedroom apartment is
> now $3,400 per month, slightly down from $3,460 in February. For two
> bedrooms, it's $4,580 per month. San Francisco is still the most expensive
> US city to live in, especially for artists.
>
> Rising rents and gentrification also bring in new, wealthier residents to
> areas that traditionally host live music. Oftentimes, these more well-to-do
> residents will file noise complaints with the city about the venues.
>
> Jason Perkins, who owns Brick and Mortar Music Hall in San Francisco and
> the New Parish in Oakland, told SFGate, "We have had several people move in
> behind us and the next day they are calling the police." He went on, "We
> have people moving in who look upon this as a bedroom community. They have
> to go to bed so they can get up in the morning and get to the Google bus."
>
> As people continue to be displaced from San Francisco, public resistance
> grows.
>
> The Chapel, which is a combination of a bar, restaurant and music venue in
> San Francisco's Mission District, has received several noise complaints
> from neighbors. What is also notable about the Chapel is that it's located
> on Valencia Street, which is a particularly gentrified street in the
> Mission, with several cocktail bars and high-end restaurants flanking the
> area. The class divide is so palpable on Valencia that local online
> publication Uptown Almanac called it "San Francisco's premier boulevard of
> bullshit."
>
> Sub Mission, on the other hand, has not been hit with noise complaints
> like other music venues. "We have pretty good relations with our
> neighbors," Txutxo said. They also have decent soundproofing. The people
> who work at Sub Mission, including Txutxo, are all artists and know people
> in the area. So when complaints do arise, "we address them in the right
> way," he said. But their situation is unique compared to other venues.
>
> San Francisco's arts and music scene is not the only one harmed by
> gentrification. Artists are being pushed out of other metropolitan areas,
> leading to significant cultural changes that many would argue are not for
> the better.
>
> One example is Seattle, the birthplace of Jimi Hendrix and '90s grunge
> bands like Nirvana, Pearl Jam and Alice in Chains. Currently, median rent
> for a one-bedroom apartment in Seattle, Washington, is $1,600 per month and
> $2,050 for two bedrooms, making it the 10th most expensive major city to
> live in. Like San Francisco, Seattle is also experiencing a tech boom. Its
> rising rents are also pushing artists out of the city. Seattle neighborhood
> Capitol Hill exemplifies this change. The former blue-collar neighborhood
> "became a home to artists and the gay community decades ago," according
> toSeattle Times reporter Tricia Romano. However, "luxury apartment
> buildings such as the Sunset Electric on 11th and Pine, with one-bedrooms
> that rent for more than $4,500, seem to open weekly, filling up with more
> affluent residents, many of them tech workers. Once the province of the
> starving artist, a fifth of the neighborhood's households now make more
> than $100,000 a year," Romano reports.
>
> Why It Matters
>
> Making art does not always pay well or pay consistently. So to support
> their work, artists often take side jobs. Since cities have a higher
> concentration of jobs in one area, this makes it easier for artists to
> perfect their artistic craft and pay the bills.
>
> However, big cities are not always necessary for musicians to do their
> work. For example, Palm Desert in Southern California is home to a hard
> rock scene known as desert rock. It was birthed by parties in remote desert
> areas in which bands used someone's (typically the host's) generator to
> power their instruments and amplifiers. Since there were no clubs, this was
> the way bands performed live and played for free. The Palm Desert scene
> birthed bands like Kyuss, Queens of the Stone Age and Yawning Man. The
> scene is also showcased in Foo Fighters frontman and former Nirvana drummer
> Dave Grohl's "Sonic Highways" series on HBO.
>
> It's not just that artists need cities to live and create - cities need
> art to add character.
>
> However, as author James Lough points out in Art Pulse magazine, big
> cities provide "creative collisions, encouragement and support of like
> minds, and mentorship." He writes, "The right city encourages free exchange
> of ideas, which relies on a city's intellectual atmosphere, its
> open-mindedness and tolerance of difference. Often, institutions within the
> cities help provide this tolerance, institutions that appreciate, nurture
> and showcase artists and their work. Examples of such institutions are
> galleries, cafes with literary readings, performance venues like theaters,
> concert venues like CBGBs and Max's Kansas City, and even living spaces
> like New York's Chelsea Hotel."
>
> Musicians need live venues to not just perform, but also promote and sell
> their music, build a fan base, and even perfect their craft by analyzing
> what works with different audiences. For example, heavy metal band Pantera
> pioneered a unique style of groove metal - with heavy rhythmic riffs that
> influenced the new wave of American heavy metal from the 1990s to the early
> to mid-2000s - because of the many times they were able to play live. As
> Pantera vocalist Phil Anselmo explained in a VH1 documentary, "The late
> '80s, writing heavy metal songs, a lot of bands would save the money riff
> for the end or for the middle or whatever. But we saw that the money riff
> moved people. So it's like, 'Why not make the whole damn song the money
> riff?'" He added, "The proof's in the pudding. We gigged so much that it
> was all about attitude and the bond with the audience, you know. And that's
> what was special about us."
>
> Even before the advent of heavy metal, jazz musicians played at nightclubs
> in cities like New York City and San Francisco during jazz's heyday from
> the 1920s to the 1950s. Musicians like jazz drummer Gene Krupa and
> saxophonist Charlie Parker displayed their chops at nightclubs, attracted
> fans and generated a vibrant urban nightlife that influenced modern
> American music.
>
> African-Americans who lived in cities like New York City and Chicago,
> along with Blacks who migrated to the North from the South during the early
> 20th century, created and brought jazz into urban areas. Jazz became
> popular, particularly among middle-class Whites, during the Prohibition era
> (1920 to 1933) in which the ban on alcoholic drinks gave rise to
> underground speakeasies in numerous US cities. These speakeasies became
> live venues for jazz music and interracial mingling between Blacks and
> Whites - which was controversial during an era of racial segregation. New
> York City and Chicago were cultural centers for jazz - and crucial to its
> development - since they had large populations, a high concentration of
> African-Americans, and ample live venues to play the music and bring large
> numbers of people together.
>
> Resistance to Gentrification
>
> While arts and culture scenes continue to be hurt by gentrification, there
> has been some good news on the housing front. As reported by Truthout in
> March, Station 40, an activist housing collective in San Francisco's
> Mission District, was facing eviction. Recently, the landlords of Station
> 40 - Ahuva, Emanuel and Barak Jolish - halted the eviction and agreed to
> start a fresh discussion with tenants on how to sell the building in a way
> that lets the tenants stay in their home. Station 40 residents say that,
> using a mediator, "We will also be working with the San Francisco Community
> Land Trust and Mission Economic Development Agency (MEDA) to craft a viable
> offer that they can present to our landlords, who are now willing to
> consider selling our building - 3030 16th at Mission Street - to the land
> trust, thereby ensuring that it remains qualitatively affordable forever.
> In the meantime, for the foreseeable future, we can continue renting." The
> land trust will own the property the build
> ing sits on while residents get to stay by paying a long, lower-cost
> lease. This makes the building affordable for tenants.
>
> For the time being, Station 40's supporters are not planning any protests
> or other forms of public resistance. However, their fight is not over. They
> told Truthout:
>
> Our work is far from done. "Resisting our eviction" was and always will be
> only one piece of the struggle. It is intimately connected to the struggle
> against Maximus, the "monster in the Mission" proposed for right across the
> street from us, on the hotly contested intersection of 16th and Mission
> Streets. As we all know, when one corner is transformed into a luxury
> development, such projects ripple out to steal and destroy whole blocks,
> whole communities. It is tied, too, to the struggle to stop police from
> "cleaning up" the neighborhood and especially killing more people, since we
> know that police go hand in hand with gentrification.
>
> Recently, a Chinatown single-room-occupancy (SRO) hotel was served an
> eviction notice by a real estate investment group. SROs typically house
> recent immigrants and low-wage or transient workers. They encompass
> three-quarters of Chinatown's housing stock and have been largely immune to
> the displacement happening everywhere else in San Francisco. The reason for
> the eviction was residents hanging laundry outside their windows, which is
> a common practice in the neighborhood. After a protest in solidarity with
> the SRO residents being evicted, Mayor Ed Lee quickly intervened and halted
> the eviction.
>
> As people continue to be displaced from San Francisco, public resistance
> grows. According to a recent poll, 65 percent of San Francisco voters said
> they would support a ballot measure that halts development projects in the
> Mission for a year - in other words, a moratorium - while a plan is created
> to help businesses and nonprofits avert displacement. Only 26 percent said
> they would oppose it.
>
> Additionally, San Francisco Supervisor London Breed recently proposed
> legislation that would save the city's music venues from noise complaints.
> The measure would, among other things, require developers to work with
> entertainment venues before beginning construction, ensure that potential
> residents near entertainment venues are informed of its activities before
> moving there and prevent venues from being deemed a "nuisance" if they are
> operating within their permit. So far, the measure is making headway and
> could be approved.
>
> The community has also stepped up to support Sub Mission. Nearly $4,000
> has been donated to its GoFundMe page and it's still active.
>
> Vibrant art and culture require supportive environments to thrive. If
> those environments are hit with rising rents, gentrification or excessive
> noise complaints, then that undermines the ability of artists to live and
> create - undermining the character of a city. It's not just that artists
> need cities to live and create - cities need art to add character. Art and
> culture make cities more interesting places to live in. Moreover, they can
> also be the breeding grounds for art that people come to know and love.
> Hip-hop, for example, was an urban subculture started by Black and Latino
> youth in the Bronx before it became the global cultural phenomenon that it
> is today. By displacing artists and shutting down entertainment venues,
> gentrification not only hurts artists - it also hurts cities.
>
>
> Full disclosure: The author's band has a performance booked at Sub Mission.
>
>
>
> Sent from my iPhone
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>
> ------------------------------
>
> Message: 6
> Date: Sun, 19 Apr 2015 09:54:35 -0700
> From: "Romy at snowyla" <romy at snowyla.com>
> To: Sudo Room Discussion List <sudo-discuss at lists.sudoroom.org>
> Cc: Snowyla <romy at snowyla.com>
> Subject: [sudo-discuss] ParaView - simplify MRI 3D models
> Message-ID: <850A4289-4258-4F8F-8BFD-1D9EEF6E261E at snowyla.com>
> Content-Type: text/plain; charset=us-ascii
>
> Saw this open source 3D software that would be great for the MRI project !
> In this months make magazine
>
> This helps us get over our road block of reducing the triangles in our
> models & making them printable.
>
> Anyone have time to test it out????
>
> http://www.paraview.org/
>
>
> Sent from my iPhone
>
> ------------------------------
>
> Message: 7
> Date: Sun, 19 Apr 2015 12:31:18 -0700
> From: Ryan <yandoryn at gmail.com>
> To: Marc Juul <juul at labitat.dk>
> Cc: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: Re: [sudo-discuss] The harry potter room in sudo is now
> locked
> Message-ID:
> <CAJsPvdbY6ftde_2C0UMg_uLw+5sVb=2=NBi=fSCeUP2a=
> 5tm1g at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> This is perhaps the most cryptic email I have ever received.
>
> On Sat, Apr 18, 2015 at 7:07 PM, Marc Juul <juul at labitat.dk> wrote:
>
> > The combination is: 29-8-14
> >
> > --
> > marc/juul
> >
> > _______________________________________________
> > sudo-discuss mailing list
> > sudo-discuss at lists.sudoroom.org
> > https://lists.sudoroom.org/listinfo/sudo-discuss
> >
> >
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> >
>
> ------------------------------
>
> Message: 8
> Date: Sun, 19 Apr 2015 15:08:10 -0700
> From: "Patrik D'haeseleer" <patrikd at gmail.com>
> To: Ryan <yandoryn at gmail.com>
> Cc: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: Re: [sudo-discuss] The harry potter room in sudo is now
> locked
> Message-ID:
> <
> CAKOjizMx2tdjf41CcPmm8dOW+1qA8Ori8n-rAv5Gfybwnu0Vbg at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> On Apr 19, 2015 12:31 PM, "Ryan" <yandoryn at gmail.com> wrote:
> >
> > This is perhaps the most cryptic email I have ever received.
>
> You know that door that's painted on the wall in the corner? If you run at
> that wall at full speed...
>
> Patrik
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>
> ------------------------------
>
> Message: 9
> Date: Sun, 19 Apr 2015 15:16:21 -0700
> From: Ryan <yandoryn at gmail.com>
> To: "Patrik D'haeseleer" <patrikd at gmail.com>
> Cc: sudo-discuss <sudo-discuss at lists.sudoroom.org>
> Subject: Re: [sudo-discuss] The harry potter room in sudo is now
> locked
> Message-ID:
> <
> CAJsPvdZoBeBFNbV7Oqd++9wqCLhoVi4tajf+JCUKF3WwSEFv9g at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> And the real reason my electric wheelchair isn't working comes out into the
> open...
>
> On Sun, Apr 19, 2015 at 3:08 PM, Patrik D'haeseleer <patrikd at gmail.com>
> wrote:
>
> >
> > On Apr 19, 2015 12:31 PM, "Ryan" <yandoryn at gmail.com> wrote:
> > >
> > > This is perhaps the most cryptic email I have ever received.
> >
> > You know that door that's painted on the wall in the corner? If you run
> at
> > that wall at full speed...
> >
> > Patrik
> >
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> >
>
> ------------------------------
>
> Message: 10
> Date: Sun, 19 Apr 2015 20:06:06 -0700
> From: niki <niki.shelley at gmail.com>
> To: "discuss at lists.omnicommons.org" <discuss at lists.omnicommons.org>,
> Bay Area Public School Organizing
> <bayareapublicschool-organizing at googlegroups.com>, Sudo room
> <sudo-discuss at lists.sudoroom.org>, "
> building at lists.omnicommons.org"
> <building at lists.omnicommons.org>
> Subject: [sudo-discuss] Accessibility Liaison?
> Message-ID:
> <
> CAL8c4AYWNojTvKsXZG3eAq6O7tNe1usnVKzE_Uj70sdBP6d03g at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Hello friends,
>
> Someone came in today who was very concerned with our efforts to make our
> space truly accessible - she was particularly concerned with building
> improvements and the impact on those with chemical sensitivities. She was
> also concerned with the sound system at today's event as there were some
> issues w/it that made it difficult for people to hear.
>
> She asked us to not use any materials that will inhibit those with chemical
> sensitivities from accessing the space and to create communication around
> our accessibility and needs.
>
> She asked to see our plan for how we will do this. We don't have this
> scoped out currently and I'm wondering if someone would be willing to take
> on the task of researching this issue and making recommendations to the
> building Working Group as well as drawing up a basic outline for providing
> greater accessibility.
>
> Can someone volunteer for this?
>
> xo
>
> N
> -------------- next part --------------
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> >
>
> ------------------------------
>
> Message: 11
> Date: Sun, 19 Apr 2015 20:09:30 -0700
> From: Ryan <yandoryn at gmail.com>
> To: niki <niki.shelley at gmail.com>
> Cc: "building at lists.omnicommons.org" <building at lists.omnicommons.org>,
> Bay Area Public School Organizing
> <bayareapublicschool-organizing at googlegroups.com>, Sudo room
> <sudo-discuss at lists.sudoroom.org>, "discuss at lists.omnicommons.org"
> <discuss at lists.omnicommons.org>
> Subject: Re: [sudo-discuss] [omni-discuss] Accessibility Liaison?
> Message-ID:
> <CAJsPvdY-KFck=Cz4Twi4t3J6V-WN6ETLckE=
> j44szs+yajmqkg at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> The consistent reaction I've gotten from the community at large is "We
> don't actually care about people with chemical sensitivities and would
> actively block any attempts to make the space more accessible to those with
> respiratory problems who are 'asking too much.'"
>
> So, it might be best to be honest with her, rather than pretend like the
> Omni is actually going to actively work to be accessible.
>
> Sorry if this sounds pessimistic, but eh.
>
> On Sun, Apr 19, 2015 at 8:06 PM, niki <niki.shelley at gmail.com> wrote:
>
> > Hello friends,
> >
> > Someone came in today who was very concerned with our efforts to make our
> > space truly accessible - she was particularly concerned with building
> > improvements and the impact on those with chemical sensitivities. She was
> > also concerned with the sound system at today's event as there were some
> > issues w/it that made it difficult for people to hear.
> >
> > She asked us to not use any materials that will inhibit those with
> > chemical sensitivities from accessing the space and to create
> communication
> > around our accessibility and needs.
> >
> > She asked to see our plan for how we will do this. We don't have this
> > scoped out currently and I'm wondering if someone would be willing to
> take
> > on the task of researching this issue and making recommendations to the
> > building Working Group as well as drawing up a basic outline for
> providing
> > greater accessibility.
> >
> > Can someone volunteer for this?
> >
> > xo
> >
> > N
> >
> >
> >
> > _______________________________________________
> > discuss mailing list
> > discuss at lists.omnicommons.org
> > https://omnicommons.org/lists/listinfo/discuss
> >
> >
> -------------- next part --------------
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> >
>
> ------------------------------
>
> Message: 12
> Date: Sun, 19 Apr 2015 22:21:55 -0700
> From: Laura Turiano <scylla at riseup.net>
> To: Ryan <yandoryn at gmail.com>, niki <niki.shelley at gmail.com>
> Cc: "building at lists.omnicommons.org" <building at lists.omnicommons.org>,
> Bay Area Public School Organizing
> <bayareapublicschool-organizing at googlegroups.com>, Sudo room
> <sudo-discuss at lists.sudoroom.org>, "discuss at lists.omnicommons.org"
> <discuss at lists.omnicommons.org>
> Subject: Re: [sudo-discuss] [omni-building] [omni-discuss]
> Accessibility Liaison?
> Message-ID: <55348CF3.5080805 at riseup.net>
> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>
> I would like to know who said that, Ryan, so that we can have a
> conversation with them about their attitude.
>
> Laura
>
> On 4/19/15 8:09 PM, Ryan wrote:
> > The consistent reaction I've gotten from the community at large is "We
> > don't actually care about people with chemical sensitivities and would
> > actively block any attempts to make the space more accessible to those
> > with respiratory problems who are 'asking too much.'"
> >
> > So, it might be best to be honest with her, rather than pretend like
> > the Omni is actually going to actively work to be accessible.
> >
> > Sorry if this sounds pessimistic, but eh.
> >
> > On Sun, Apr 19, 2015 at 8:06 PM, niki <niki.shelley at gmail.com
> > <mailto:niki.shelley at gmail.com>> wrote:
> >
> > Hello friends,
> >
> > Someone came in today who was very concerned with our efforts to
> > make our space truly accessible - she was particularly concerned
> > with building improvements and the impact on those with chemical
> > sensitivities. She was also concerned with the sound system at
> > today's event as there were some issues w/it that made it
> > difficult for people to hear.
> >
> > She asked us to not use any materials that will inhibit those with
> > chemical sensitivities from accessing the space and to create
> > communication around our accessibility and needs.
> >
> > She asked to see our plan for how we will do this. We don't have
> > this scoped out currently and I'm wondering if someone would be
> > willing to take on the task of researching this issue and making
> > recommendations to the building Working Group as well as drawing
> > up a basic outline for providing greater accessibility.
> >
> > Can someone volunteer for this?
> >
> > xo
> >
> > N
> >
> >
> >
> > _______________________________________________
> > discuss mailing list
> > discuss at lists.omnicommons.org <mailto:discuss at lists.omnicommons.org>
> > https://omnicommons.org/lists/listinfo/discuss
> >
> >
> >
> >
> > _______________________________________________
> > building mailing list
> > building at lists.omnicommons.org
> > https://omnicommons.org/lists/listinfo/building
>
> -------------- next part --------------
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> http://lists.sudoroom.org/pipermail/sudo-discuss/attachments/20150419/c2c73526/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 13
> Date: Sun, 19 Apr 2015 22:31:33 -0700
> From: Ryan <yandoryn at gmail.com>
> To: Laura Turiano <scylla at riseup.net>
> Cc: "building at lists.omnicommons.org" <building at lists.omnicommons.org>,
> Sudo room <sudo-discuss at lists.sudoroom.org>, Bay Area Public
> School
> Organizing <bayareapublicschool-organizing at googlegroups.com>,
> "discuss at lists.omnicommons.org" <discuss at lists.omnicommons.org>
> Subject: Re: [sudo-discuss] [omni-building] [omni-discuss]
> Accessibility Liaison?
> Message-ID:
> <
> CAJsPvdY3Seq8m7x3dhKtU9TeagqWJFJ1ztfG4RH_9UaC59OUNg at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> It's not just one person or one situation. And it's not always in an
> aggressive way. And it's not just an issue of not caring (although I have
> experienced that). It's an issue of feasibility.
>
> I've heard snowball arguments. I know that Material Print Machine tries
> their hardest to be chemically sensitive but cannot function without some
> volatile chemicals that can cause problems.
>
> If we got some serious ventilation going on, maybe we'd be able to deal
> with CCL and sudo. But the 3D printers could be an issue.
>
> And the few times I've tried to broach this subject, I have hit hard walls.
> I've also had a lot of support. But I've also heard a lot of people
> basically say "it'd be too hard to care about such a small minority."
>
> I just think that anyone who is going to be dealing with this at the Omni
> needs to know that not everyone is on board and that they're going to hear
> some really insensitive stuff. From people you might not expect. My request
> to have the Omni ban simply *spraying of perfume in the space* left me in
> tears about ready to leave the space because of reactions like this from
> many members.
>
> I did have a specific issue with one member who I try not to interact with
> now, who followed me out and proceeded to become aggressive and tell me I
> can't survive in the real world, but that was handled for the most part.
> That's not the issue, though.
>
> I don't know. My brain isn't really functioning well (brain fog yay) but I
> think anyone dealing with accessibility at the Omni, especially things
> people are less versed in than physical (which is bad enough to deal with)
> should be well aware that while some people may be totally on board, there
> are some people who are solidly against.
>
> On Sun, Apr 19, 2015 at 10:21 PM, Laura Turiano <scylla at riseup.net> wrote:
>
> > I would like to know who said that, Ryan, so that we can have a
> > conversation with them about their attitude.
> >
> > Laura
> >
> >
> > On 4/19/15 8:09 PM, Ryan wrote:
> >
> > The consistent reaction I've gotten from the community at large is "We
> > don't actually care about people with chemical sensitivities and would
> > actively block any attempts to make the space more accessible to those
> with
> > respiratory problems who are 'asking too much.'"
> >
> > So, it might be best to be honest with her, rather than pretend like the
> > Omni is actually going to actively work to be accessible.
> >
> > Sorry if this sounds pessimistic, but eh.
> >
> > On Sun, Apr 19, 2015 at 8:06 PM, niki <niki.shelley at gmail.com> wrote:
> >
> >> Hello friends,
> >>
> >> Someone came in today who was very concerned with our efforts to make
> >> our space truly accessible - she was particularly concerned with
> building
> >> improvements and the impact on those with chemical sensitivities. She
> was
> >> also concerned with the sound system at today's event as there were some
> >> issues w/it that made it difficult for people to hear.
> >>
> >> She asked us to not use any materials that will inhibit those with
> >> chemical sensitivities from accessing the space and to create
> communication
> >> around our accessibility and needs.
> >>
> >> She asked to see our plan for how we will do this. We don't have this
> >> scoped out currently and I'm wondering if someone would be willing to
> take
> >> on the task of researching this issue and making recommendations to the
> >> building Working Group as well as drawing up a basic outline for
> providing
> >> greater accessibility.
> >>
> >> Can someone volunteer for this?
> >>
> >> xo
> >>
> >> N
> >>
> >>
> >>
> >> _______________________________________________
> >> discuss mailing list
> >> discuss at lists.omnicommons.org
> >> https://omnicommons.org/lists/listinfo/discuss
> >>
> >>
> >
> >
> > _______________________________________________
> > building mailing listbuilding at lists.omnicommons.orghttps://
> omnicommons.org/lists/listinfo/building
> >
> >
> >
> -------------- next part --------------
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> URL: <
> http://lists.sudoroom.org/pipermail/sudo-discuss/attachments/20150419/2d3ce726/attachment-0001.html
> >
>
> ------------------------------
>
> Message: 14
> Date: Tue, 21 Apr 2015 10:52:03 -0700
> From: niki <niki.shelley at gmail.com>
> To: Ryan <yandoryn at gmail.com>
> Cc: "building at lists.omnicommons.org" <building at lists.omnicommons.org>,
> Laura Turiano <scylla at riseup.net>, Sudo room
> <sudo-discuss at lists.sudoroom.org>, Bay Area Public School
> Organizing
> <bayareapublicschool-organizing at googlegroups.com>,
> "discuss at lists.omnicommons.org" <discuss at lists.omnicommons.org>
> Subject: Re: [sudo-discuss] [omni-building] [omni-discuss]
> Accessibility Liaison?
> Message-ID:
> <CAL8c4AbgFYg22OfA4CcMGkmWb9+10r92bo9M_ygkifyf=
> 4CHKg at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Ok. I will write her back and tell her that because not every person who
> enters the doors of the Omni is able to occupy a place of absolutely pure
> ideological perfection, we will not be addressing these issues in any
> meaningful way.
>
> N
>
> On Sun, Apr 19, 2015 at 10:31 PM, Ryan <yandoryn at gmail.com> wrote:
>
> > It's not just one person or one situation. And it's not always in an
> > aggressive way. And it's not just an issue of not caring (although I have
> > experienced that). It's an issue of feasibility.
> >
> > I've heard snowball arguments. I know that Material Print Machine tries
> > their hardest to be chemically sensitive but cannot function without some
> > volatile chemicals that can cause problems.
> >
> > If we got some serious ventilation going on, maybe we'd be able to deal
> > with CCL and sudo. But the 3D printers could be an issue.
> >
> > And the few times I've tried to broach this subject, I have hit hard
> > walls. I've also had a lot of support. But I've also heard a lot of
> people
> > basically say "it'd be too hard to care about such a small minority."
> >
> > I just think that anyone who is going to be dealing with this at the Omni
> > needs to know that not everyone is on board and that they're going to
> hear
> > some really insensitive stuff. From people you might not expect. My
> request
> > to have the Omni ban simply *spraying of perfume in the space* left me in
> > tears about ready to leave the space because of reactions like this from
> > many members.
> >
> > I did have a specific issue with one member who I try not to interact
> with
> > now, who followed me out and proceeded to become aggressive and tell me I
> > can't survive in the real world, but that was handled for the most part.
> > That's not the issue, though.
> >
> > I don't know. My brain isn't really functioning well (brain fog yay) but
> I
> > think anyone dealing with accessibility at the Omni, especially things
> > people are less versed in than physical (which is bad enough to deal
> with)
> > should be well aware that while some people may be totally on board,
> there
> > are some people who are solidly against.
> >
> > On Sun, Apr 19, 2015 at 10:21 PM, Laura Turiano <scylla at riseup.net>
> wrote:
> >
> >> I would like to know who said that, Ryan, so that we can have a
> >> conversation with them about their attitude.
> >>
> >> Laura
> >>
> >>
> >> On 4/19/15 8:09 PM, Ryan wrote:
> >>
> >> The consistent reaction I've gotten from the community at large is "We
> >> don't actually care about people with chemical sensitivities and would
> >> actively block any attempts to make the space more accessible to those
> with
> >> respiratory problems who are 'asking too much.'"
> >>
> >> So, it might be best to be honest with her, rather than pretend like
> >> the Omni is actually going to actively work to be accessible.
> >>
> >> Sorry if this sounds pessimistic, but eh.
> >>
> >> On Sun, Apr 19, 2015 at 8:06 PM, niki <niki.shelley at gmail.com> wrote:
> >>
> >>> Hello friends,
> >>>
> >>> Someone came in today who was very concerned with our efforts to make
> >>> our space truly accessible - she was particularly concerned with
> building
> >>> improvements and the impact on those with chemical sensitivities. She
> was
> >>> also concerned with the sound system at today's event as there were
> some
> >>> issues w/it that made it difficult for people to hear.
> >>>
> >>> She asked us to not use any materials that will inhibit those with
> >>> chemical sensitivities from accessing the space and to create
> communication
> >>> around our accessibility and needs.
> >>>
> >>> She asked to see our plan for how we will do this. We don't have this
> >>> scoped out currently and I'm wondering if someone would be willing to
> take
> >>> on the task of researching this issue and making recommendations to the
> >>> building Working Group as well as drawing up a basic outline for
> providing
> >>> greater accessibility.
> >>>
> >>> Can someone volunteer for this?
> >>>
> >>> xo
> >>>
> >>> N
> >>>
> >>>
> >>>
> >>> _______________________________________________
> >>> discuss mailing list
> >>> discuss at lists.omnicommons.org
> >>> https://omnicommons.org/lists/listinfo/discuss
> >>>
> >>>
> >>
> >>
> >> _______________________________________________
> >> building mailing listbuilding at lists.omnicommons.orghttps://
> omnicommons.org/lists/listinfo/building
> >>
> >>
> >>
> >
> -------------- next part --------------
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> >
>
> ------------------------------
>
> _______________________________________________
> sudo-discuss mailing list
> sudo-discuss at lists.sudoroom.org
> https://lists.sudoroom.org/listinfo/sudo-discuss
>
>
> End of sudo-discuss Digest, Vol 30, Issue 23
> ********************************************
>
>
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