This is a cross post from nb-discuss, any sudoers interested, maybe a talk
on gezi gardens...
You know the place, Noisebridge, you know the time, third Thursday at 8pm,
you know who, could be you?
https://www.noisebridge.net/wiki/5moF
It's FIVE MINUTES OF FAME, hosted by me, the hard hat hacker "J.C." and
presented by Noisebridge and any or all of you that wish to partake in this
fabulous FREE event, donations always welcome as well.
This month will be trying something new, talks will be limited to 300
seconds, otherwise known as 5 minutes.
Is there something in particular you think is a must have talk, someone you
know brimming with bountiful brilliance, well now's the time to send them
my way and get in the queue.
This month is already shaping up to delight, featuring some mind reading
and chip tuning. And if anyone can explain DNSSEC in 5 minutes, I have a
spot with your name on it.
In the past month's we've had talks by:
* The creators of the modem, the open source webservers, and Usenet
* A guy who builds octoyurts in Oakland
* Mozilla bugs, Wiki seats, and MUNI routing
* The launch of "q" the world's shortest Python library
* The first glance of Post-Waste Nexus, SF's new recycling posse
* Giant Dangerous X-Ray Devices, Live
* Small children and Egyptian Gods
* Tunes about hacking, hacking about tunes
If you built it, want to build it, knew when it was built or just like
talking to builders, come to Noisebridge and show off.
It all goes down Thrusday June 20th 8pm, 2169 Mission St.
--
ThanX,
;+)
https://www.noisebridge.net/wiki/Fort
I thought this would be inspiring for our SudoRoom writers!
This is a scene report about our neighbors down the street, the RPS
Collective. They're also the ones who worked with Max and a few others to
paint our cool new clapboard sign that we put out on the street!
http://poczineproject.tumblr.com/post/44088110529/scene-report-rock-paper-s…
<http://poczineproject.tumblr.com/post/44088110529/scene-report-rock-paper-s…>
*Words and photos by Itoro
Udofia<http://poczineproject.tumblr.com/tagged/Itoro-Udofia>
, Legacy Series
Intern<http://poczineproject.tumblr.com/post/41868602951/meet-poczps-first-legacy-…>
*
[image: Rock Paper Scissors Collective Feb
2013]<http://www.flickr.com/photos/poczineproject/8511298932/>
The Rock Paper Scissors Collective
(RPS)<http://rock%20paper%20scissors%20collective/> is
located in the heart of downtown Oakland’s cultural district. RPS holds one
of the largest zine libraries on the West Coast and, as its mission
statement says, it *“fosters creativity and collaboration in order to
strengthen local communities and encourage sustainable practices and
alternative models.”* RPS uses its space to hold many different aspects of
creativity - from zines; to visual art; to performances; to art making
workshops and (most importantly) forming collaborative relationships with
the community.
During my visit I immediately noticed the friendly and open atmosphere. I
was able to connect with Kristi, a collective member at RPS.
[image: EDIT: POCZP intern Itoro Udofia & RPS collective
member]<http://www.flickr.com/photos/poczineproject/8510217039/>
Kristi does a lot of community work and coordinates the youth intern
program. I observed several young women of color at RPC making zines as
part of their internship.
[image: Teen zinester of color at RPS, February
2013]<http://www.flickr.com/photos/poczineproject/8511309124/>
[image: RPS Collective
20]<http://www.flickr.com/photos/poczineproject/8511354170/>
Kristi informed me that RPS is in the middle of cataloging all their zines.
This made finding zines by POC during my visit challenging - but not
impossible, and we understand their constraints as a grassroots, volunteer
entity. Kristi was able to help me locate some zines by POC, which are
listed at the bottom of this post.
RPS is an example of what a thriving, deeply grassroots alternative space
can look like. This alone made the visit worth it, and I will be back again.
Here are five more things that you should know about Rock Paper Scissors
Collective’s community space:
*It’s a YOUTH SPACE*
Part of what makes RPS so vital to the community is that it creates a safe
and inclusive space for youth - specifically, I saw youth of color making
zines and coming in for the youth intern programing. RPS is known for its
youth programming, and thankfully it’s free or low cost. To see youth
coming in on a Thursday afternoon and having a free space to hang out was a
sight to behold.
*POCZP:* How does RPS serve the community?
*Kristi:* Everyone’s welcome here. It doesn’t matter who you are. We’re not
a museum/hands off gallery…We only showcase emerging artists, we do open
calls, group shows…everything is free and affordable…Anyone can teach
classes. Community collaborations are a major component here. We also run
programs at high schools and have a zine fest (East Bay Alternative Express
and Zine Expo).
RPS focuses on the need for art within the community. Zines are a facet of
that as, it is super alternative and accessible.
*BAY AREA COMMUNITY: RPS is **looking for volunteers to help catalog the
zine library on Sunday. Contact them if you’re interested in helping out! <3
*
*It’s an ACCESSIBLE SPACE*
The classes offered at RPS’s are free or low cost. Anyone can teach a
class, volunteer, and access the zine library. Its store sells clothing,
artwork and zines from local artists. It also gives an open call to artists
for exhibits. When inquiring further about zines, the staff member on site
spoke of zines being “alternative” and “a way for anyone to get their voice
out.” I was struck most by its accessibility in making art that responds to
the*community’s need* and fostering dialogue. That was my biggest take away
while being there.
*It’s a COLLABORATIVE SPACE*
RPS thrives most when it can collaborate and form relationships within the
community. They do work with schools, offer free workshops to the public,
and work with local artists (just to name a few of their collaborations).
Also, they can be seen at the East Bay Alternative Book and Zine Fest where
they are showcased every year!
*It’s a COMMUNITY SPACE*
A community space in the sense that it seeks to be a non-hierarchal,
inclusive organization, that turns no one who wants to volunteer or become
a member away. From speaking with some of the staff, the energy of wanting
to build and form a sustaining community was present. A volunteer came in
to paint the steps and there was an overall sense of camaraderie and joy
for the work.
*It’s a STRUGGLING AND OPEN SPACE*
I am always aware of the need for a space where there can be love and
struggle. And I would be remiss if I acted like everything is always *“a
walk in the park”* within the movement. Or more importantly, that our
spaces of struggle and those deep places where we need to decolonize cannot
be openly talked about.
So here it is: RPS is a grassroots collective trying to do a lot with a
little. Its zine library needs a lot of love and cataloguing. It also needs
to have a space where zines by POC can be easily accessed, located and
shared. Within our movement, this is a struggle, and I was happy at the
level of openness and receptiveness to having support in that.
If you’re on the West Coast and in the Bay area, walking around in Oakland,
check out the Rock Paper Scissors Collective. They are open on
Wednesday-Sunday, from 12-7 and located at 2278 Telegraph Avenue. See for
yourself and make your own assessment. Also, they are looking for Sunday
volunteers to help catalogue with the zine library. If you’re looking for a
place to support that is doing much needed community work, consider going
to RPS.
In the meantime, here are five zines by or about POC that I would
recommend. If you are ever at RPS please check them out.
1. *The Combination b*y Ashley
Nelson<http://www.amazon.com/The-Combination-Neighborhood-Story-Project/dp/1933368…>
in
collaboration with the Neighborhood Story Project
A moving personal-political soul trip of one of the oldest housing
complexes in New Orleans.
[image: RPS zine library item: The Combination by Ashley
Nelson]<http://www.flickr.com/photos/poczineproject/8511432754/>
2.* Polarity* <http://www.endlesscanvas.bigcartel.com/product/polarity> by
Ras Terms
A metaphysical mind trip that explores the duality of spirituality and its
metaphysical roots.
[image: Polarity by Ras
Terms]<http://www.flickr.com/photos/poczineproject/8510478441/>
Ras Terms was born and raised in Miami. As part of the BSK and FS crews, he
was a pivotal figure in the Miami graffiti scene. Terms is a gifted
illustrator and painter who has provided many images for the Rastafarian
community. Since his arrival in the Bay Area he has established himself as
a character graffiti artist and has lent his talents to serve the community.
3. *EZLN Communiques: Memory from
Below*<https://secure.leftwingbooks.net/index.php?l=product_detail&p=246>
A zine about the Zapatista movement in Chiapas Mexico. Zapatista thought
and knowledge on the struggle against neoliberalism and predatory financial
institutions. Published by Agit Press (formerly known as Porcupine Press)
[image: EZLN Comminques: Memory from
Below]<http://www.flickr.com/photos/poczineproject/8510438421/>
4. *ML* <http://marcoslafarga.com/>
A zine featuring the distinctive artwork and design from West Coast based
visual artist Marcus La Farga. http://marcoslafarga.com
[image: RPS 44] <http://www.flickr.com/photos/poczineproject/8511494812/>
5. *Murder Dollhouse* <http://murderdollhouse.com/> by Teppei Ando
Based in the 1920s, a beautifully illustrated comic book thriller about a
man who lives in an attic. Published by Volcano Productions.
http://murderdollhouse.com
[image: Murder Dollhouse by Teppei
Ando]<http://www.flickr.com/photos/poczineproject/8511453630/>
———————————————————
[image: Rock Paper Scissors
Collective]<http://www.flickr.com/photos/poczineproject/8511315660/>
“*rock paper scissors collective* <http://rpscollective.org/> is a
volunteer-run organization that fosters creativity and collaboration in
order to strengthen local communities and encourage sustainable practices
and alternative models. We promote the sharing of ideas, skills, and
resources through the celebration of art, craft, education, and
performance.”
questions -[at]- rpscollective -[dot]- org
510.238.9171
2278 Telegraph ave., Oakland, CA 94612
Hours: 12 - 7pm, Wednesday - Sunday.
Closed Monday and Tuesday.
*ABOUT ITORO UDOFIA*
*Itoro *is the first dedicated intern for the POC Zine Project’s Legacy
Series<http://poczineproject.tumblr.com/post/37042077000/legacy-zine-series-announ…>
. Itoro’s excited to support POCZP because ”it is *a collective that
uplifts and cares about what people of color have to say and acknowledges
what they have always said.” *Learn more about her
here<http://poczineproject.tumblr.com/post/41868602951/meet-poczps-first-legacy-…>
.
*ABOUT ‘SCENE REPORTS’
*
*Would you like to help us create Scene Reports for every state? Contact
us: poczineproject(a)gmail.com.*
If you would like to invite POC Zine Project to your upcoming event, or
collaborate on a joint event, let us know!
*Editor’s Note: Itoro will be creating weekly Scene Report round ups. Make
sure to send us your zine event details so we can share! If it’s not
zine-related but possibly of interest to zinesters of color, we will share
that as well.*
---------- Forwarded message ----------
From: Workshop Weekend Updates <updates(a)workshopweekend.net>
Date: Sun, Jun 9, 2013 at 8:07 PM
Subject: Marina, registration for Workshop Weekend, June 22 and 23, is now
open!
To: marina.kukso(a)gmail.com
Hi Marina,
Workshop Weekend Oakland registration is now open!
Join us on June 22 & 23 to solder, craft, program, build, make and explore.
At Workshop Weekend, a flat $40 admission gets you as many workshops as you
can handle!
Register online by Wednesday, June 12 and get $10 off with code
EARLYBIRD0613. Select your workshops at
https://workshopweekend.net/oakland/catalog<http://workshopweekend.net/er?url=https%3A%2F%2Fworkshopweekend.net%2Foakla…>
For families coming to Workshop Weekend together, we're keeping our $10
discount for all parent admissions with the purchase of two or more
admissions for children (under 18). Sign up on the same account and the
discount will be automatically applied.
We have over 30 workshops to choose from at this Workshop Weekend -- a few
old favorites coming back alongside new crafts, computer, and music
workshops -- and more! Join us for:
- Hands-on Genetic Engineering
- Robots: Build a Beetlebot
- DIY Doll-making
- Taste Hacking
- Computer Dissection
- Arduino Automation Basics
- Hands-on Nutrition
- Exploring Electronics: Speakers from Scratch
- DIY Coffee Roasting
- Hands-on Anatomy
- Liquid Nitrogen Ice Cream
- Arduino Programming
...and many more!
Register and select workshops online at
https://workshopweekend.net/oakland/catalog<http://workshopweekend.net/er?url=https%3A%2F%2Fworkshopweekend.net%2Foakla…>
I hope we'll see you in just a few weeks!
Cheers,
Gil, J.D., and the rest of the team at Workshop Weekend
To unsubscribe from future mailings, visit
http://workshopweekend.net/learn/unsub?id=bWFyaW5hLmt1a3NvQGdtYWlsLmNvbQ
hi all,
ray and i are very happy doing sudo kids tuesday nights, but as i'm sure
many of you can guess, the holy grail of child participation involves the
dreaded "after school" hours which are characterized by terrible tv
programming and many of us being at work.
are there any sudoers who would be interested and/or available in doing
lightly structured kids activities on a weekday in the 3-6PM range?
tuesdays would be best, but really any weekday will do.
- marina
The mesh networking group is buying a small piece of gear from Craiglist
and it needs to be picked up in San Jose.
Is anyone driving by San Jose next week and would you be willing to pick
this up for us?
--
Marc Juul
http://www.youtube.com/watch?v=xIJENf-s6r4http://www.mediaed.org/cgi-bin/commerce.cgi?preadd=action&key=411
Class Dismissed
How TV Frames the Working Class
Narrated by *Ed Asner*
Based on the forthcoming book by Pepi Leistyna, *Class Dismissed* navigates
the steady stream of narrow working class representations from American
television's beginnings to today's sitcoms, reality shows, police dramas,
and daytime talk shows.
Featuring interviews with media analysts and cultural historians, this
documentary examines the patterns inherent in TV's disturbing depictions of
working class people as either clowns or social deviants -- stereotypical
portrayals that reinforce the myth of meritocracy.
*Class Dismissed* breaks important new ground in exploring the ways in
which race, gender, and sexuality intersect with class, offering a more
complex reading of television's often one-dimensional representations. The
video also links television portrayals to negative cultural attitudes and
public policies that directly affect the lives of working class people.
Featuring interviews with Stanley Aronowitz, (City University of New York);
*Nickel and Dimed* author, Barbara Ehrenreich; Herman Gray (University of
California-Santa Cruz); Robin Kelley (Columbia University); Pepi Leistyna
(University of Massachusetts-Boston) and Michael Zweig (State University of
New York-Stony Brook). Also with Arlene Davila, Susan Douglas, Bambi
Haggins, Lisa Henderson, and Andrea Press.
http://www.bart.gov/news/articles/2013/news20130605.aspx
The federal transportation administration released new, slightly different
guidelines for public transportation providers. Basically what they say is
that the civil rights office of each Public Transit Agency has to make up
some criteria to test whether proposed route changes or fare increases
disproportionally affect minority riders. For instance, if a transit agency
were to cancel a bus line (and replace it with nothing) where 35% of the
riders were black, but the overall ridership of the transit system was 12%
black, then that service change would be have a disproportionate impact on
black riders by 35-12=23% NOW, if the public wanted to sue the agency to
stop the discontinuation of the bus line, but the agency's guidelines said
the disproportionate impact had to be greater than, say, 25%, then the
lawsuit would fail. The FTA mandates the creation of some guidelines, but
doesn't say what should be in them.
Another example would be fare increases. If a transit agency increases
regular fare by 10%, but senior fares by 50%, and 21% of seniors are some
certain race, as opposed to 6% of the general population being that race,
that would be a disproportionate impact of 15%.
The FTA notes that low-income people are not a protected class for the
federal civil rights laws, but, (progressively) it encourages Transit
Agencies to include low-income populations as a protected class in their
guidelines because minorities are generally over represented in the lower
incomes.
In the fare raising example above therefore, if seniors are not
disproportionately some particular race, but if they are disproportionally
poor, a transit agency could create guidelines that would recognize that.
So if 13% of the general transit population earns 200% or less of the
national poverty level, but 20% of the senior population earns that or
less, than that would be a disproportionate impact of 7%.
If the transit agency prohibited disparate impacts of more than 5% (for
instance) that change would be a no go.
So, maybe stupidly, I submitted the following comment to
officeofcivilrights(a)bart.gov and copied boardofdirectors(a)bart.gov:
First of all, the policy needs more examples of how to find disparate
impacts, like the example on pg 45 of FTA C 4702.1B, or the examples in
appendix K. Second of all, the BART DIDB Policy should explicitly take into
account the relative nature of the price of a fare (relative, that is, to
the rider's overall income) and therefore the relative nature of a fare
increase.
For instance, if you earn $10/ hour, then a dollar is equivalent to 6
minutes. If you earn $30/ hour, than a dollar is 2 minutes. That means if
fares increase by, say, $10/ month, (5% of a monthly BART bill of $200) and
you earn $10/ hour, then your fare increase is equivalent to an hour of
your time. If you earn $30/ hour, the fare increase is 20 minutes. Measured
in dollars, the increases appear to be the same for the two riders, but
measured in man-hours, the poorer rider is facing an increase that is 300%
bigger than the fare increase for the less poor rider. That is a disparate
impact, so the policy should reflect that.
Thanks for your attn in this matter.
The number of people submitting comments on this policy will be very small.
Like under 30, maybe 10 people. There will be a couple of legal services
attys, some law students, some BART staff members ... basically no one. So
every letter will be read. If there is anyone in the organization that has
the opinion you have, they will cite your letter many times in trying to
get their (and your) opinion heard. That is why I write letters like this,
just in case there is some staff member who has my same thought. :/
http://spaz.org/~jake/pix/popcorn.gif
my friend is selling this popcorn machine.
if you think sudoroom should have it, make an offer.
it's like 2 or 3 feet tall but apparently it makes really good popcorn,
continuously.
-jake